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"We're going to see the decoration—the one Elinor made for the church, you know," said Patricia to Miriam as they left the festive, disheveled sitting-room to the rejuvenating hands of Hannah Ann and Henry, and went with the chatting crowd into the big studio again. "Bruce wouldn't have the luncheon in here because we couldn't get a good view of it if the place was cluttered up with tables and things. He's fearfully proud of it. He says it's as good as lots of regular artists could do." Patricia nodded as she held the door wide for Elinor. "Griffin said she'd be ready for us, and Margaret Howes is coming straight down from composition class." "Barbadoes..
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At the earliest permissible hour, Patricia slipped into her pink kimono and slippers and sped softly to Miss Jinny's room, where she tapped lightly, and was admitted at once by Miss Jinny, fully dressed and with a little book in her hand. "They do look a bit queer," admitted Elinor, reluctantly. "Perhaps when you've worked on them more——" "Oh, stop teasing, Miss Pat," cried Judith, wriggling free. "I wouldn't be an actress if you'd hire me. I'm going to be a writer, and now I'm going to bed. Good-night," and she made a flying leap into her pillows and covered herself to the eyes. "Don't say another word to me tonight," she warned, "or I'll call Miss Jinny. I'm going to sleep." "Against Mrs. Dallas?".
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